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Writing Better Fiction - Blog

Everything you need for Writing Better Fiction - Faster



Telling Stories

To tell a story one must first have a story to tell.

To have a story to tell one must first have something to say (that's the premise).

With something to say (and a premise that illustrates that point) one can construct a sequential narrative to illustrate that point.

When one approaches the subject of storytelling in such a logical way the Composition process becomes very simple and intuitive.

Lacking such a Story Conception and Story Design process the writer often becomes overwhelmed and confused trying to make two many decisions while telling (composing) the story.

What people call "writing" is not just one process but at least 4.

  1. Story Conception
  2. Story Design
  3. Story Composition
  4. Story Editing

Attempting to do more than one process at a time is the cause of 80% of every writer's "problems". The other 20% of the problems is caused by a lack of clear, workable definitions for the words that comprise the nomenclature of storytelling.

Even the word "story" itself is so poorly defined in dictionaries that I had to create a completely new one from scratch.

Combine the above two and it's no wonder that writers go slow, produce little, and spend most of their time going around in circles re-writing while they starve to death.


Don't Kill Your Children

"As a man has no right to kill one of his children if it is diseased or insane, so a man who has made the gradual and conscious expression of his personality in literature the aim of his life, has no right to suppress himself any carefully considered work which seemed good enough when it was written. Suppression, if it is deserved, will come rapidly enough from the same causes that suppress the unworthy members of a man's family." - J. M. Synge (1871-1909), Irish poet, dramatist.


Art is Philosophy in Action

It is quite apparent that while the "sciences" have and are advancing at an alarming rate philosophy and the remainder of the humanities are still in the dark ages.

Although we can put a man on the moon we don't know what a "man" actually is. It is largely through fiction that the question - of what a man (and therefore mankind actually is) and how and why the species does the things that it does - is asked and answered.

It is fiction that deals with these issues because fiction is the only lens through which we can attempt to examine the inner workings of the human mind and soul - those things that we can not observe directly but only infer from the actions and reactions of our protagonists, antagonists and even the bit players that populate our dramas.

It is friction that attempts to create order out of the chaos we call life.

Life has no meaning, except that which the artist gives it.

It is the artist that tells us who we are, where we've come from, and where we're going.


Writers or Storytellers

The product of the fiction writer is: a "story".

Therefore it's far more revelatory to call ourselves "storytellers" than "writers". For the title of storyteller more accurately describes what we actually do while the term "writer" is so nebulous it could mean anything; like writing letters or (God forbid) news articles.

And by-the-way; news "stories" are not stories at all but rather only "articles" - huge difference.

Write on...


The Book

Still working on my book. There is so much to share it's hard to know where to start - but I'm making progress.

Then of course there are the alligators.

When one is up to their ass in alligators it's hard to remember that the intention was to drain the swamp. HA!


The Born Writer - and other writing myths

The "born writer"

Writers are not born -- they are made by study and practice. The only problem is knowing, what to study, how to study and therefore what to practice.

As Vince Lombardi said, "Practice does not make perfect. Only perfect practice makes perfect."

And therein lies the rub - knowing what to practice. Unfortunately most people practice the wrong things - like the items in this list of myths. They "believe" in the wrong things and they "practice" the wrong things and then they wonder why they fail.

The first thing to understand is that there is a "right way" for doing anything (including writing fiction) and then there are all the other ways.

Your objective is to discover that "right way" and then practice it. Anything else is a waste of time and energy.

Click the link below for other "popular" writing myths.

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Insperation - and other writing myths

"I need inspiration to write."

Inspiration has nothing to do with it. Writing is work and if you want to write, then you have to consistently and diligently write. If your solution is to wait for inspiration you might as well play the lottery. There's a better chance of winning.

"You can't wait for inspiration. You have to go after it with a club." - Jack London.

You also need some know-how which is what you'll get from this website.

Inspiration is often associated with "The Muse" from Greek mythology.

Relying on "inspiration" or "The Muse" is to rely on a "myth".

Instead of this trying to depend on these "fairy tales" any writer would do better with a system like my "Story Engine".

Click the link below for other "popular" writing myths.

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e-Zine Membership

Get your Subscription to The W.B.F. e-Zine membership - the information packed, Free monthly e-zine for Fiction Writers and receive my special thank you gift.

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Writers Block - and other writing myths

Writers block is only a symptom of not following a system from Story Conception, through Story Design before starting the Story Composition phase.

This leaves the writer trying to do at least three things all at the same time - in his head.

That would "block" anyone about anything.

Writing fiction, or non-fiction for that matter, is not just one single process but several. Most writing problems are a result of trying to jam these separate process into one activity - "writing".

Click the link below for other "popular" writing myths.

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Fiction Writing - Revealed - Learn its Secrets, Tips & Tricks

Master fiction writing with these Exclusive Secrets, Tips & Tricks - Learn all the secrets to fiction that sells - Here

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Writing Myths

There are many common writing myths. Here are a few of the most deadly.

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Writing Better Fiction - Faster, means selling more of your work

Writing better is the first step of selling more of what you write.

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Short Fiction Stories - The Problem

Short Fiction Stories are more difficult for the writer and less desirable for the reader - than the longer format of the Novel.

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Realistic Fiction must be more real than reality

Writing realistic fiction is the goal of every fiction writer. Because experiencing realistic fiction is the desire of every reader.

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How to Write Fiction better & faster - The broad concepts upon which the details

How to Write Fiction - A top down approach based on the 6 Key Categories of knowledge that Every Writer Must Know

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The Fiction Book - what is it and why you should care

The elusive fiction book - The Holly Grail of every fiction writer. Find Out - What is it, exactly - How do I write one of these.

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18 Elements of Fiction Writing

The elements of fiction are the fundamental principles of writing effective fiction

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Writing for Publication

Writing for Publication is the only legitimate reason to write stories. Creating "Art for art's sake" is a fool's errand.

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Publishing Contracts

What authors need to know about publishing contracts - before they sign on the dotted line. What are you giving up and what are you getting?

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Digital Piracy or Digital Freedom

In this Information Age some warn of the dangers of "Digital Piracy" but I see it as the age of "Digital Freedom".

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Book Publishing

If you're a writer you should be engaged in book publishing; whether selfpublishing (which I recommend) or through a conventional publisher; and you need to know the ropes.

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Use Lightening - Not Lightening Bugs

What you don't know about dictionaries
can kill your writing
like a bug



The idea of synonyms can trick a writer into using a "lightening bug" instead of calling down the "lightening" - As Mark Twain will explain in a moment.

A writer's personal library should include a shelf full of good dictionaries. Yes, that right, you need several of them because they don't always agree. And they have other flaws that can lead a writer to a warped understanding of the very nature of words.

One problem with dictionaries is that they specialize in associating the meaning of different words, rather than differentiating them.

Diction-aries were originally introduced in the 1700's in an attempt to standardize the pronunciation and spelling of words, hence the name "diction-ary". The suffix "ary" means "having to do with" and the word "diction" originally meant simply "word".

As time moved on the word "diction" took on two shades of meaning: one having to do with word selection and the other having to do with the pronunciation of words. Neither, you will notice, have anything to do with the meanings of words. But as time continued to move forward the purpose of dictionaries was expanded to include reporting the common meanings of words as used by writers.

This article regarding the Oxford English Dictionary (opens in new window) is an interesting study in just how wacky that process was.

The point is that dictionaries were created by men, not god, and they can be and often are wrong; and one of the biggest problems with dictionaries is the concept of "synonyms".

Many definitions include a list of synonyms such as:

"Synonyms: propose, pose, propound, submit. The central meaning shared by these verbs is to present something for consideration or discussion: propose a solution to a problem; a situation posing many questions and problems; propound a theory; submitting a plan."

It's fine to talk about similarities but if you're going to do so then you should also talk about differences. No, we are not talking about antonyms (words that mean the opposite of each other). What the dictionary should be saying is, "these are the similarities AND these are the differences between these words."

That would lead to a much better understanding of any given word.

Instead one could get the idea that dictionary publishers are trying to associate the language down to make is simpler.

Perhaps - if they can remove enough words from the language by calling them Synonyms - they believe they can solve the illiteracy problem.

Read the rest of this article here

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Dictionaries and Synonyms

A writers resources should include a good dictionary. But dictionaries have a few flaws that can give a writer a very warped understanding of words.

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FAQ's - Writers Resources

The best writers resources are the comments and advise of other writers. Ask questions and share your advice - in this writers community.

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"My Children"

Richard A. McCullough this has surpassed all expectation. Thank you for your expressions of truth fullness which makes me rank you number one dad. Fathers

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I love your poem "My Children".

I love your poem My Children. You are right, the words, verses and poems are our children. You put it in a very nice way. Thank you for sharing it with

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Memories Rise

LOVED reading your Memories Rise poem... I feel the swirl. Would know you're a musician from the poem alone. Well Done!

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Your poem 'The Epitaph' is an exquisite poem.

I won't comment on every single image, but will tell you that this poem is inspiring and invites the reader to meditation. What I like is that you convey

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Types of Poetry

There is an infinited varity of Types of Poetry both in terms of form and subject - this page presents some unique ideas about poetry in general and a few examples of the authors work.

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I Get It

Richard I have written many endorsements on your site in its early development stage. Poets at week hours of the morning. Thank you for introducing me

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Rules to Fiction

I read and digested what you had to say about the rules to write fiction and other genres and at well past 3:00 AM I was still wrapped up in your instructions.

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Poetry and Prose

This page addressed the confusion between poetry and prose, storytelling and the writing of fiction in general.

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Lars and the Real Girl

We watched "Lars and the Real Girl" last night.

Highly recommended. * * * *

"Ryan Gosling plays the title character in this oddball comedy about a delusional young man who buys a life-size sex doll over the Internet - and then falls in love with her. When the besotted young man starts telling people that the doll is his girlfriend, his brother and sister-in-law decide it's time to intervene in this film co-starring Patricia Clarkson, Emily Mortimer, Kelli Garner and Paul Schneider."

This is an interesting story and extremely well told and not sexually kinky in any way.

Ryan Gosling does an incredible job of interacting with Bianca (the name of the doll). And the story unfolds flawlessly on many different levels.

Several things are quite remarkable about this film.

During the course of the story the doll transforms from an inanimate object, to a character, to a real person - In our minds and in the mind and hearts of the people of the town. This creates a very powerful tension. While we know that Bianca is just a "doll" she becomes so much more to Lars, and the reset of the characters in the story that we (the audience) are drawn into wanting to believe and accepting his need and everyone else's need to believe. And in that way we accept Lars, for who he is, what he's going through and we care about him.

In this regard Lars is a very unusual protagonist for a story.

The audience is not connected to him because he is "heroic"; neither do we feel pity for him. We are drawn into his character by compassion, and our need to understanding him. We are afraid of what we may find but still we need to know.

This is a character driven plot, and the only antagonist is internal to the protagonist. Lars needs to love and be loved but is so strongly blocked that just being touched is physically painful.

This is a sad sort of comedy that makes you laugh and cry at the same time. And our eyes water at moments with cathartic tears because we've been touched.

When I heard about this story I was concerned that it would go off in some sick, bent direction but my concerns were unfounded. The story as told walks a flawless fine line between tragedy and comedy.

This is a movie worth watching again and studying the script. The director, producer and actors called the script "flawless".

This story is about our need for companionship, intimacy and love - and perhaps most important - accepting each other for who we are.

Write on...


My Children

An Ode to my "other" children - the words I birth onto the page.

My Children


by

Richard A. McCullough



My words are my children whose names I murmur in the late hours of the night.

I feel the pain and frustration of birthing them onto each page, of grooming and nurturing them as best I know how; both anticipating and dreading the day they might be strong enough to walk out into the world under the power of their own metaphors - away from me forever.

Will these children of mine evoke laughter or praise? Will their voice ring true with nouns and verbs marching proudly across the published page to assume a life of their own or will they come back home through some postal passage, with hopes canceled, all dog-eared and scuffed, to sit on the corner of my desk, participles dangling, with their failure stuffed in manila brown pockets?

But as frustrating and hopeless as it seems, from time to time, I can never forsake them. They are flesh of my flesh and blood of my blood and though I might cry for their shortcomings I can never disown them - for they are my children.

The one hope that keeps me laboring is the chance that someday I might yet experience their triumph; the flame of understanding kindled in the eye of a stranger. Upon that hope I feed and nurture them that they might yet live and walk and breath and somehow touch a life, and scatter the seeds of my waking dreams into a tomorrow that I will never know.

Grow strong and brave my children, walk tall upon the page - for without you I have nothing and leave no sign of ever having passed this way.





Copyright 2010 - Richard A McCullough is the creator & editor of http://www.write-better-fiction.com the Fiction Writers source for Writing Better Fiction Faster and Selling More of What You Write.- Copyright: you may freely republish this article, provided the text, author credit, active links and this copyright notice remain intact.

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The Adventure Continues

Just watched "The Road" staring Viggo Mortensen and Kodi Smit-McPhee in the adaptation of Cormac McCarthy's Pulitzer Prize-winning novel, set in a fictional near future in which the world has been virtually destroyed.

And, Oh yes, there are cannibals.

I was very disappointed.

This is a sad pointless movie, of a sad pointless story.

I say "story" however, this movie lacks the most fundamental component of even a "decent" story; there is no point.

Or, as Lajos Egri would say, there is no premise.

I suppose I should read the book but, with this movie to un-recommend it; I'm not very motivated to invest the time.

Instead I'm revisiting Ray Bradbury's "October Country", and I've pulled a stack of his other collections off my shelf and stacked them on the corner of my desk. They are my "treats"; little rewards I allow myself for getting my work done.

Bradbury continues to be one of my all time favorite writers. His stories have a point, provide an interesting and unique perspective on things and situations we may not have considered and his writing is subtlety poetic. Reading each one is like biting into a chocolate covered surprise - delightful to the pallet and deeply satisfying.

Speaking or work.

I've restructured "the book" yet again. Writing non-fiction, it seems, is a very different process from fiction. And the subject itself, as you well know, is poorly codified.

But here is the ring-a-ding realization.

The subject of non-fiction is just as poorly codified as the subject of writing fiction.

I suppose I shouldn't be surprised but I am deeply disappointed.

I never imagined that I would have to figure out the subject of writing non-fiction in order to explain the subject of writing fiction. But that is clearly where we are.

The good news is that I'm now making progress. For, once one knows what they don't know, one can begin to find out, what there is to know.

Technology is not linear. All datums that comprise a subject (such as fiction or nonfiction or even chemistry, physics or biology for that matter) are interrelated and interconnected. However, to teach, explain or even study a subject one must proceed in a linear fashion because language is linear.

However, as one goes along one must discover and relate all the data points one finds along the way; thus winding up with a fully elaborated labyrinth of interconnected data points. Where each dot is a datum and each of the interconnecting lines are lines of association and differentiation. I call it connecting the "dots".

The adventure continues.

Write on...


Poetry

"A definition is the beginning of knowledge." Demosthenes.

Poetry and Story are two of the most poorly defined concepts in literature.

Which explains why; millions of people spend countless hours trying to write poems and stories... and fail miserably.

Every year; 17.5 Million manuscripts are submitted, but only 175,000 books are published and only 17,000 manage to sell enough copies to cover the cost of publication.

Clearly there are a lot of people trying to write, but only 1 in 1,000,000 succeeds.

This indicates a systemic problem. Something is broken.

If the technology of storytelling were adequately codified and being correctly taught we wouldn't have this problem.

What's broken is the technical know-how of storytelling.


While my website is not about poetry per se the subject must be addressed because there is so much confusion about the poetic and prosaic style of writing.

It's simple:
  1. The purpose of writing is communication.
  2. The purpose of communication is to convey an idea or ideas about something.
  3. Stories and Essays are written forms based on structural conventions.
  4. Poetic and prosaic are stylistic conventions that are applied to those structural forms.

It's really just that simple. Anything else is added inapplicable significance that only serves to confuse the subject and therefore diminish ones ability to effectively communicate.

The following articles should throw some light on the subject.


"Poetry and Prose"

Explores the relationship between the poetic and prosaic and explains why there is so much confusion about the subject.


"Writing Poetry"

Contains additional information about the subject and its relationship to Prose and what they both have to do with storytelling.


"Types of Poetry"

Contains links to an assortment of my work as examples of the many types of poems one might run across or wish to write.


Summary:

Fiction and nonfiction relate to Stories and Essays which are products of structural conventions not the style or quality of the writing.

Whether a written work is poetic or prosaic is a function of the quality of the writing not the form or structure.

Whether a written work is a Novel or Treatise is a function of the structure of how it's written not the quality of the writing.




Copyright 2010, Richard A McCullough is the creator & editor of http://www.write-better-fiction.com the Fiction Writers source for Writing Better Fiction Faster and Selling More of What You Write.Copyright: you may freely republish this article, provided the text, author credit, active links and this copyright notice remain intact.


Copyright Law

As writers we need to know how to protect our work and how not to infringing on the legal rights of others. To that end we need to understand Copyright Law.

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Poetry

While this is not a site about poetry per se the subject must be addressed because there is a great deal of confusion about poetic and prosaic, and the relationship between "poems", and "stories".

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types of poetry - We Whisper

This is one of the Types of Poetry. A poem about the barriers of this thing called "love".

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types of poetry - The Wind

This is one of the Types of Poetry. A short poem celebrating the wind.

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types of poetry - The Train

Types of Poetry. A children's epic tail of trains and things... Children see the world through different eyes.

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types of poetry - The Epitaph

This is one of the Types of Poetry. A poem celebrating the circle of life.

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types of poetry - The Bridge

This is one of the Types of Poetry. A poem about The Bridge, outside of "The Red Robin"; a little collage bar.

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types of poetry - Summer Runner

This is one of the Types of Poetry. A poem about summer, and the dreams and visions that only children can see.

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types of poetry - short series

This is one of the Types of Poetry. A series of very short poems about..... "The Red Robin"

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types of poetry - Seattle Sound Sunset

This is one of the Types of Poetry. A very short poem about the Seattle "Sound" at Sunset.

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types of poetry - Sandals

This is one of the Types of Poetry. A short poem about... Sandals... and travelers... and other things.

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types of poetry - Red Robin

This is one of the Types of Poetry. A poem about The Red Robin. I spent many a weekend drinking in this little collage bar.

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types of poetry - Rain

This is one of the Types of Poetry. A poem... about the rain in Seattle

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